The secretly sent planet-side Blue Squadron vipers await their newly arrived piloting masters on Carillon, in this lovely matte painting art from ILM/Apogee (note the fuel tanker vessel in the background - in the official novelisation Starbuck was to perilously pilot it to the fleet amidst Cylon attack).
Whoever did the painting is unknown, though it was also used as a photo blow up for Carillon exterior scenes filmed at Universal, behind the close-ups scenes needed of the main pilots racing to their ships - primarily the full-scale build Viper prop and several cut-out dummies behind that, and a visual trick that had also been used with the Rebel hangar scenes of the original Star Wars during its London filming in 1976.
